ArtéBallét®

ArtéBallét®

Summer Intensive

Summer Intensive

Designed for dancers seeking more than just another summer intensive. AÉBI is an intimate and carefully curated training experience centered around refined coaching, artistic depth, meaningful progress, and the rare individual guidance needed to grow far beyond technique alone.

For Intermediate Vocational & Recreational Dancers • Open Admission

ArtéBallét®— Europe’s Boutique Intermediate Summer Ballet Intensive


27 July – 8 August, 2026

Start your AÉBI Summer Here

𝐎𝐟𝐟𝐢𝐜𝐢𝐚𝐥 𝐓𝐮𝐭𝐮 𝐏𝐚𝐫𝐭𝐧𝐞𝐫

_____________ ______________

𝟐𝟎𝟐𝟔 𝟐𝟎𝟐𝟕

ArtéBallét in Numbers
A Curated International Summer Experience in Amsterdam for Those Passionate About Ballet.
0 Continents Represented
0 Nationalities Welcomed
0 Hours of Immersive Summer Training
0 Culminating Theater Performance
Program Pathways

Choose the Depth of Your ArtéBallét Experience.


Three days, one week, or two full weeks in Amsterdam. Each pathway offers refined training, live music, intimate groups, and highly personal guidance within an international boutique environment.

Sold Out
Waitlist Only
3 Days

Immersion Pass

27–29 July, 2026
30 July – 1 August, 2026
3–5 August, 2026
6–8 August, 2026
A refined introduction to the ArtéBallét atmosphere.

Designed for dancers seeking a shorter but immersive introduction to the ArtéBallét training environment and artistic philosophy.

  • A rare first introduction to the ArtéBallét atmosphere
  • Approx. 22.5 hours of curated studio training
  • Daily ballet and repertoire training with live music
  • Train inside an intimate international boutique environment
Last Places Available
1 Week

Studio Week

27 July – 1 August, 2026
3–8 August, 2026
A focused one-week ArtéBallét experience.

Ideal for dancers seeking momentum, refinement, and concentrated artistic development within an intimate international training environment.

  • One full week immersed in the ArtéBallét experience
  • Approx. 45 hours of high-level studio training
  • Daily ballet, repertoire, contemporary, and artistic coaching
  • Personal corrections, rarely possible in larger intensives
Secure Your Place
Last Places Available
2 Weeks

Signature Experience

27 July – 8 August, 2026
The pathway most dancers hope to secure.

Created for dancers seeking meaningful artistic transformation, deeper refinement, and the rare opportunity to experience two uninterrupted weeks of highly curated training in Amsterdam.

  • The complete two-week ArtéBallét training journey
  • Approx. 100 hours of deeply immersive studio training
  • Daily ballet, repertoire, rehearsals, contemporary, and masterclasses
  • Professional theater performance experience included
  • The continuity, refinement, and artistic growth most dancers seek
  • Limited edition ArtéBallét T-shirt included
Choose Signature
Sold Out
Waitlist Only
2 Premium Weeks

Arté Premier Experience+

27 July – 8 August, 2026
The most elevated ArtéBallét pathway.

Designed for dancers who want the full Signature Experience with an additional layer of private coaching refinement, artistic mentorship, and premium dance photos throughout the intensive.

  • Everything included in the Signature Experience
  • Three private coaching sessions for accelerated refinement included
  • Professional 45-minute ballet photoshoot included
  • Additional artistic mentorship throughout the intensive
  • The most complete and personalized ArtéBallét pathway available

Faculty Associated With

Our current and past faculty roster features artists and educators from some of the world’s most prestigious ballet institutions and internationally acclaimed companies:

Lorenzo Koppenaal Lorenzo Koppenaal Lorenzo Koppenaal
Founder & Artistic Director · Modern Technique · Modern Repertoire

Lorenzo Koppenaal trained at the Conservatory of Dance at Purchase College, New York, and the Amsterdam University of the Arts before building an international career as a teacher, coach, and artistic director. He currently serves as faculty member at Albeda Dance College and the Jeugd Dansopleiding Fryslân, and regularly teaches as a Guest Teacher at Codarts Dance Academy and Lucia Marthas Institute for Performing Arts. His teaching and coaching experience spans Europe and the United States through collaborations with institutions including Metropolitan Ballet Academy, SPID Ballet Academy, and Dance Company de Stilte. Lorenzo also led professional teacher-training programs in Limón and Cunningham technique in Hamburg and Cologne, mentoring dance educators and emerging teaching artists.

ArteBallet logo Founder & Artistic Director
ArtéBallét Intensive
Codarts logo Guest Teacher
Codarts Dance Academy
JDOF logo Faculty Member
Jeugd Dansopleiding Fryslân
Christina Krigolson Christina Krigolson Christina Krigolson
Ballet Technique · Pointe Technique · Classical Variations/Repertoire

Christina Krigolson trained at the prestigious Tallinn Ballet School before joining the Estonian National Ballet, where she enjoyed a distinguished twelve-year performing career, dancing a wide-ranging classical and contemporary repertoire and working with internationally acclaimed choreographers, ballet masters, and artistic directors. Following her stage career, she founded Face the Barre, an internationally recognized coaching platform. Renowned for her meticulous eye, encouraging teaching style, and commitment to accessible ballet education, Christina continues to inspire dancers worldwide through coaching, workshops, and her growing ballet community in Tallinn.

Facethebarre logo Founder & Director
Face The Barre
Estonian National Ballet Former Dancer
Estonian National Ballet
Alexander Álvarez Silvestre Alexander Álvarez Silvestre Alexander Álvarez Silvestre
Ballet Technique · Male Technique · Classical Variations/Repertoire

Alexander Álvarez Silvestre received his training in Puerto Rico, the United States, and the Netherlands before joining the internationally acclaimed Dutch National Ballet. After graduating from the Dutch National Ballet Academy in Amsterdam, he began his professional career with the Junior Company and quickly progressed into the main company, where he performs a diverse repertoire spanning classical masterworks and contemporary creations. Celebrated for his powerful artistry, technical excellence, and expressive stage presence, he has also distinguished himself as an emerging choreographic voice, earning recognition as a finalist in the Prix de Lausanne Young Creation Award. Through both performance and teaching, he shares a deep passion for inspiring and empowering the next generation of dancers.

HNB logo Current Dancer
Dutch National Ballet
Prix de Lausanne logo Finalist Young Creation Award
Prix de Lausanne
YAGP logo Former Dancer
Dutch National Ballet Junior Company
Uri Eugenio Uri Eugenio Uri Eugenio
Modern-Jazz Technique · Modern-Jazz Repertoire · Creation

Uri Eugenio graduated from the Fontys School of Fine and Performing Arts before establishing an acclaimed international career as a dancer, teacher, choreographer, and coach. He has collaborated with renowned companies and artists including Scapino Ballet Rotterdam, LeineRoebana, David Middendorp, and Nanine Linning, performing extensively across Europe, Asia, and the United States. With more than fifteen years of teaching experience, Uri has taught at leading institutions including the Amsterdam University of the Arts, Codarts, Lucia Marthas Institute for Performing Arts, and Henny Jurriëns Studio. Known for his authenticity and deeply human approach to movement, he continues to inspire dancers worldwide through his teaching, choreography, and artistic work.

Scapino Ballet logo Former Dancer
Scapino Ballet Rotterdam
LeineRoebana logo Former Dancer
LeineRoebana Dance Company
Joost Verhaar
Joost Verhaar-Lucas Joost Verhaar-Lucas Joost Verhaar-Lucas
Ballet Technique · Classical Variations/Repertoire · Coaching

Joost Verhaar-Lucas received his early training at the prestigious Royal Conservatoire in The Hague, laying the foundation for a multifaceted career as a performer, choreographer, and educator. Throughout his artistic journey, he has worked across an exceptional range of disciplines, from classical ballet and contemporary dance to jazz, musical theatre, and commercial performance. His professional credits include collaborations with the Dutch National Ballet, Nederlands Dans Theater, Jiří Kylián's Kinderspelen and Bella Figura, and Philip Taylor's Rainbow Messengers in Germany. Internationally respected for his versatility, dynamic teaching style, and commitment to nurturing artistic growth.

Scapino Ballet logo Founder & Artistic Director
Creating Art Productions
Royal Conservatory logo Studied at
Royal Conservatory, The Hague
Marielle Lucas-Verhaar
Mariëlle Lucas-Verhaar Mariëlle Lucas-Verhaar Mariëlle Lucas-Verhaar
Improvisation · Contemporary Coaching

Mariëlle Lucas-Verhaar received her professional training at the Fontys School of Fine and Performing Arts before further refining her artistry at the internationally respected Opus Ballet in Florence, Italy. Since graduating, she has built a multifaceted career as a dancer, choreographer, educator, and mentor. Celebrated for her thoughtful artistic voice and passion for storytelling, she creates work that explores meaningful social themes while fostering genuine connection and emotional authenticity. As an educator, she is dedicated to developing well-rounded artists, integrating technical training, creativity, and personal growth into her teaching philosophy. Through her choreography, coaching, and mentorship, she continues to inspire dancers to grow with confidence, artistry, and purpose.

Scapino Ballet logo Founder & Artistic Director
Creating Art Productions
Opus Ballet logo Studied at
Opus Ballet Company
Karlijn Tap
Karlijn Tap Karlijn Tap Karlijn Tap
Licensed Physiotherapist · Nutrition & Well-Being · Injury Prevention

Karlijn Tap trained as a dancer at the Royal Conservatoire The Hague and the Codarts Rotterdam before continuing her studies in physiotherapy. Combining her background in professional dance training with physiotherapy expertise, she specializes in supporting dancers through injury prevention, recovery, and performance-focused care tailored to the demands of intensive training environments.

Royal Conservatory logo Studied at
Royal Conservatory, The Hague

Sample Schedule

A Glimpse Into the Training Week

This sample schedule offers an impression of how an Intermediate training week may be structured. The final schedule may vary and can include additional classes, different faculty, rehearsals, coaching sessions, workshops or adjusted timings depending on artistic programming, level placement, and studio availability.

01

Daily Technique

Each day begins with focused ballet training followed by contemporary or jazz technique. Men’s technique and pointe technique are integrated within the ballet classes where appropriate.

02

Classical Variations & Repertoire

Classical work may be divided into separate blocks for female dancers, male dancers, pas de deux work or full repertoire sections where dancers train together.

03

Contemporary Technique & Repertoire

Dancers may study existing works by established choreographers or receive the unique opportunity to take part in a new creation made especially for them.

04

Performance Preparation

In week two, additional rehearsals and coaching moments are scheduled for all two-week participants as they prepare for the final theater presentation.

Midweek Focus

Wednesday Is Intentionally Structured as a Lighter Training Day

Midweek programming is designed to support recovery, longevity and artistic sustainability. Alongside studio training, dancers may participate in curated workshops focused on nutrition, injury prevention, mental performance, conditioning and dancer well-being.

90-Minute Well-Being Workshop
Injury Prevention
Performance Mindset
Conditioning Sessions
Q&A / Career Talks
Private Coaching Available by appointment throughout the day, on any program day.
Professional Photoshoots Available by appointment on Wednesday only.
Physiotherapy Consults Available by appointment on Wednesday only.
Performance Preparation Additional rehearsals and coaching are scheduled in week two.
Important Note This is a sample weekly structure. The confirmed schedule may include more or different classes, additional rehearsals, guest workshops, coaching moments or adjusted timings.
First Week

Monday 27 July

Intermediate Ballet Summer Intensive

ArtéBallét®

ArtéBallét®

ArtéBallét®— For Dancers Seeking More Than a Standard Intensive.

Start Your Application

ArtéBallét Intensive – Amsterdam’s Boutique Ballet Intensive

Enrollment & Registration

Register With
Intention

The ArtéBallét Intermediate Program is designed for dedicated vocational and recreational dancers with previous ballet training who wish to strengthen their technique, deepen their artistry, and grow within a supportive international environment.

01

Submit Your Registration

Dancers complete the online registration form and share basic information about their age, training background, and current experience level. No formal audition is required for the Intermediate Program.

02

Placement Review

The ArtéBallét team carefully reviews each registration to help create balanced groups and ensure that dancers enter a class environment that feels both challenging and supportive.

03

Confirmation & Enrollment

Once registration has been completed, dancers receive confirmation and enrollment details by email. Because the program works with intentionally limited group sizes, places are confirmed only after the required registration and payment steps have been completed.

Program Deadlines

Limited Places.
Early Registration Advised.

Due to our intentionally low faculty-to-student ratio, places at ArtéBallét are strictly limited. Once maximum capacity is reached, registration may close before the official deadline.

1 May, 2026 Early Bird Pricing Expires
10 July, 2026 Registration Closes
We encourage dancers to complete their registration promptly in order to secure their place.
Program Requirements

What We Look For

The Intermediate Program is intended for dancers with a basic understanding of ballet technique and terminology, supported by previous intermediate-level training. Dancers should be able to follow an intermediate ballet class independently and arrive with focus, curiosity, and a genuine desire to grow.

Previous ballet training Basic ballet terminology Independent class participation Positive work ethic Artistic curiosity Openness to coaching
FAQ

Frequently Asked Questions

Is selection required for the Intermediate Program?

No. The Intermediate Program does not require a formal audition. Dancers register directly, and the ArtéBallét team reviews each registration to support appropriate placement and balanced group levels.

What level is expected?

The Intermediate Program is open to intermediate vocational students as well as dedicated recreational dancers. Participants should have a basic understanding of ballet technique and terminology, supported by at least three years of intermediate-level training.

Can younger dancers join?

The Intermediate Program is generally suited to dancers aged approximately 12 and above. Age is indicative; readiness is considered based on training experience, technical level, and the ability to follow an intermediate class independently.

What registration materials are required?

Intermediate dancers are not required to submit audition photos or video materials. During registration, dancers provide basic information about their age, training background, and experience level.

Is pointe work required?

No. Pointe work is not required for the Intermediate Program. Pointe may be included only in designated classes for dancers with sufficient previous pointe experience. Faculty may advise against pointe use if it is considered unsafe or not appropriate for a dancer’s development.

Can I register for one week only?

Yes. Dancers may register for three days, one week, or two weeks, depending on availability. Two-week participants receive the fullest ArtéBallét experience and may take part in the culminating theater presentation.

Will I perform during the program?

Two-week participants may take part in the culminating theater presentation in Amsterdam. Participation is encouraged, but not mandatory. Performance opportunities depend on the selected program option and the final artistic structure of the intensive.

How large are the Intermediate groups?

Intermediate groups are intentionally small to preserve the personal attention that defines ArtéBallét. We generally welcome approximately 10 to 14 dancers per group, ocassionally 15, allowing faculty to offer detailed guidance throughout the program.

Can my placement or group be adjusted?

Yes. Final placement may be adjusted by the Artistic Director or faculty if another group better supports the dancer’s training, safety, confidence, and artistic development.

How do I secure my place after registering?

A place is secured only once the required registration and payment steps have been completed. Because places are limited, early registration is strongly advised.

What happens if the program sells out before the deadline?

Because group sizes are intentionally limited, registration may close before the official deadline once capacity has been reached. Dancers are encouraged to complete registration promptly to avoid losing their place.

Where can I find tuition and payment options?

Tuition, package details, installment options, and additional fees are available on the Tuition & Fees page. All selected program fees and optional add-ons are also summarized within the registration form before submission.

Are private coaching, photoshoots, and physiotherapy included?

Private coaching, professional photoshoots, and physiotherapy appointments may be available by appointment, depending on package type and availability. Some services are included in selected packages, while others can be booked as add-ons.

Is housing provided?

ArtéBallét does not provide housing. Participants are responsible for arranging their own accommodation in Amsterdam. We recommend securing accommodation early, especially during the summer period.